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Sebastien Bourdon Sacrifice of Noah c. 1640
oil on canvas
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Sebastien Bourdon Montpellier 1652-53 olja pa duk 72x58
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Sebastien Bourdon Bacchus and Ceres with Nymphs and Satyrs Medium Oil on canvas
Dimensions Expression error: Missing operand for *51 ?? 77.5 cm
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Sebastien Bourdon Le crucifiement de Saint Pierre Medium Oil on canvas
Dimensions Unknown
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Sebastien Bourdon Abraham and three angels Medium Oil on canvas
Dimensions 77 x 76 cm
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Sebastien Bourdon Fall of Simon Magus Medium Oil on canvas
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Sebastien Bourdon drottning christina se
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Sebastien Bourdon Solomon making a sacrifice to the idols Solomon making a sacrifice to the idols
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Sebastien Bourdon The Mineralogist 1883
Oil on canvas
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Sebastien Bourdon Mineralogist Date 1883
Medium Oil on canvas
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Sebastien Bourdon Queen Christina of Sweden on Horseback 1653(1653)
Oil on canvas
383 X 291 cm (150.8 X 114.6 in)
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Sebastien Bourdon King Charles X Gustav of Sweden 1652(1652) or 1653(1653)
Oil on canvas
102 ?? 82 cm (40.2 ?? 32.3 in)
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Sebastien Bourdon Queen Christina of Sweden on Horseback 1653 stor
Date 1653(1653)
Medium Oil on canvas
Dimensions 383 ?? 291 cm (150.8 ?? 114.6 in)
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Sebastien Bourdon Karl X Gustav Date 1652(1652) or 1653(1653)
Medium Oil on canvas
Dimensions 102 x 82 cm (40.2 x 32.3 in)
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Sebastien Bourdon Queen Christina Medium Oil on canvas
Dimensions 72 x 58 cm (28.3 x 22.8 in)
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Sebastien Bourdon Portrait of Ebba Sparre . 1653(1653)
Medium Oil
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Sebastien Bourdon The Beggars Date between 1635(1635) and 1640(1640)
Medium Oil on wood
Dimensions Height: 49 cm (19.3 in). Width: 65 cm (25.6 in).
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Sebastien Bourdon Queen Christina Oil on canvas
Dimensions 72 x 58 cm (28.3 x 22.8 in)
cyf
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Sebastien Bourdon Le Camp de Bohemiens Date 17th century
Medium Oil on canvas
Dimensions 66.7 x 88.5 cm (26.3 x 34.8 in)
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Sebastien Bourdon Presentation in the Temple circa 1644(1644)
Medium oil on canvas
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Sebastien Bourdon
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(2 February 1616 - 8 May 1671) was a French painter and engraver. His chef d'œuvre is The Crucifixion of St. Peter made for the church of Notre Dame.
The Finding of Moses, c. 1650 (National Gallery of Art, Washington)Bourdon was born in Montpellier, France, the son of a Protestant painter on glass. He was apprenticed to a painter in Paris. In spite of his poverty he managed to get to Rome in 1636; there he studied the paintings of Nicolas Poussin, Claude Lorrain and Caravaggio among his eclectic selection of models, until he was forced to flee in 1638, to escape denunciation by the Inquisition for his Protestant faith. Bourdon's facility rendered him adept at portraiture, whether in a dashing Rubens manner or in intimate, sympathetic bust-length or half-length portraits isolated against plain backgrounds that set a formula for middle-class portraiture for the rest of the century, landscapes in the manner of Gaspar Dughet or cappricci of ruins, mythological "history painting" like other members of Poussin's circle or the genre subjects of the Dutch Bamboccianti who were working in Rome. His eclectic range of styles have given art historians exercise in tracing his adaptation of his models, while the lack of an immediately recognizable "Bourdon style" has somewhat dampened public appreciation.
In 1652 Christina of Sweden made him her first court painter. Bourdon spent most of his working career outside France, where, though he was a founding member of the Academie de peinture et de sculpture (1648), he was for long largely dismissed as a pasticheur, a situation partly rebalanced by a comprehensive exhibition in 2000 of his work at the Musee Fabre, where the collection includes a fine Lamentation painted in the last years of his life.
His success required the establishment of an extensive atelier, where, among his other pupils worked Nicolas-Pierre Loir and Pierre Mosnier. He died in Paris in 1671.
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